You have likely heard the term “roadmap” before. But have you heard it in relation to your novel?
Maybe. Maybe not.
If you haven’t, here’s a quick intro: a novel roadmap is a gathering of all the scenes you’ll need to write in your story to make it cohesive from beginning to end.
There are a ton of ways to put one of these things together. But I have three specific ways that are my absolute favorite, go-to, wouldn’t do it any other way. Those are:
1. The Beat Sheet
A beat sheet is a bulleted-pointed list of scenes. Each bullet point equals one scene that needs to be in your story. And you write the bullet points in order, so you have a complete story from start to finish.
Here’s a quick example:
- Hook: scene that shows antagonism to come
- Intro Protagonist
- Show Protagonist living her daily life
- Intro what’s at stake for the Protagonist
- Start the subplot love story
Now this is a very generic beat sheet example, and you’d want to be much more detailed when you put yours together. But the idea is getting you to think, specifically, about the scenes you’ll need to set up your story, introduce your core plot (Antagonist plus journey for the Protagonist), show the Protagonist and Antagonist getting stronger and overcoming challenges, and then resolve the story with your Protagonist stepping up to be the hero and defeating the Antagonist.
2. The Detailed Scene Roadmap (AKA: Story Roadmap)
This is a much more detailed version of the beat sheet. It actually goes deeper into each scene, allowing you to determine not only the mission (aka: purpose) of the scene, but also the time it takes place, the location it takes place in, and any additional notes or information needed to move the story exposition forward.
Here’s an example of what a story roadmap scene can look like (explanation + example):
I like to use this version to get to know my story in a bigger way, and to make sure I’m focused on the mission of the scene (this is mission-driven storytelling, after all).
3. The Story Circles
This is a method I just learned from my mentor and story coach, Larry Brooks. He uses this exercise as a way to get a bird’s eye view of a story.
What you do for this method is get four sheets of paper (lined or unlined is up to you). Turn the paper vertical and on each page draw 12 circles (either four rows of three circles, or three rows of four circles, up to you).
Next, label the pages: Part One, Part Two, Part Three and Part Four.
Then go back and account for your story structure milestones. Your Hook would be one of the first two circles on the Part One sheet. Your First Plot Point would go on the Part One sheet, written above the very last circle on the page (bottom-right). Your Midpoint would go on the Part Two sheet, written above the very last circle on the page (bottom-right). Same goes for your SPP, but put that one on the sheet marked Part Three.
Now you’ve got an idea of where all your story milestones need to land.
Using this document, you can go through and actually use each circle to mark a scene in your story. Of course you may end up having more than just the 12 scenes accounted for on each page. In that case, you’ll just need to add more (or less) circles to accommodate.
And there you have it. Three very simple, yet powerful ways to figure out the scenes in your novel.
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Which of the three story roadmap methods is your favorite?