It isn’t often that I’m truly touched by a blog post. But over the weekend, I was moved to tears when I read a guest post on Larry Brooks’ site, StoryFix.
I was moved because I realized that I had a hand in changing someone’s life; I helped turn an emerging writer from a dreamer into an author with the potential to go far in her novel-writing career.
The guest post was written by my client, Stephanie Raffelock, about her experience writing a novel that works. She worked with Larry and I to make this happen, and now she’s a total believer in the story planning and developing process.
Here’s an excerpt from her post:
Larry Brooks made me cry. An ego bruising, embarrassing cry.
He did it by asking a simple question: What is the dramatic goal of your hero?
I answered every question he put forth in that scary, unflinching Questionnaire he uses in his coaching programs… all but that one.
It was like when my mother asked me if I had taken her beloved blue Mustang without her permission and I told her, “I have so much research to do at the library. I have a paper due.” I never did answer her simple question–“did you take the freaking car or not!?”
A series of questions loomed on the rest of that damn Questionnaire.
After answering the first few, the harsh truth began to reveal itself. In spite of intelligence, a modicum of humor and a great passion for the written word, I would not recognize the components of a good story if I tripped over them and landed in a puddle of my own shock and awe.
Welcome to Novel Writing 101…
…And that’s when I began to study story structure.
Larry recommended story planner and coach, Jennifer Blanchard, to help me take my story to the next level after his initial feedback (it may have had something to do with some of the names I called him at the time). I bit the bullet and signed up to work with her. It is humbling, and also a great deal of fun, to be learning from a woman who is young enough to be my daughter.
Jennifer, by the way, is a passionate practitioner and spokesperson for the very same principles that Brooks used to crush my belief that my original story had legs.
Step by step, she took me through the principles of Story Engineering (Brooks’ first writing book), and helped me to plan and plot a story.
From idea to concept, premise, plot points, pinch points and character development, we worked together for a month before I wrote a single word of prose. The exercise not only changed the way that I write novels, it changed the way that I see the world: there are stories all around us in the people we know. When the next-door neighbor tells me about her trip to visit her aging parents, I’ll be darned if there isn’t a hero, a villain, if there aren’t obstacles to overcome and conflict to negotiate, demons to slay, and a desired goal motivated by stakes that matter.
I watch television and movies through different eyes now.
Where’s the first plot point? What does the hero want? Why am I rooting for him? …
…Working with Larry and with Jennifer, I embraced the notion of being a novelist. I respect the craft of novel writing enough to want to study it, learn it and integrate it, thereby respecting my readers enough to want to give them a good story.
We live in a fast, digitized world, where people abbreviate their words (that drives me crazy) and do their lives in limited character sound bites. Writers, I believe, are entrusted with the sacred task of being the keeper of stories, the full and rich stories that connect us all.
I haven’t read the latest talked about writing book whose cover reads “Story Trumps Structure,” but I can tell you that I hate the title. It goes against the grain of what I know in my bones to be true. Hey buddy, I want to say, story IS structure!
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What has your novel-writing journey been like so far?